Two rhetorical structural types, characterised as WH-ASK and NP-WH-LET constructions, derived from the Yoruba praise and incantatory poetic tradition, are identified in Niyi Osundare’s poetry. The syntax, though distinct and unique, does not violate the combinatory possibilities of English. Breaking no rules of the syntax of English, the syntagmatic patterns inevitably draw attention to themselves as characteristic habits of thought and modes of expression of the Yoruba people. The syntacto-rhetorical borrowing from Yoruba poetry represents the poet’s efforts at “domesticating ” English or making it carry the “weight ” of his Yoruba experience. The paper identifies a profound and highly rewarding interaction between the lexical and syntacti...
Since the publication of Ruth Finnegan’s influential Oral Literature in Africa, way back in 1970, sc...
This paper critically examines the stylistic traditions and innovations inherent in the poetics of N...
Previous studies on nativisation of English in African literary productions have focused on literary...
Two rhetorical structural types, characterised as WH-ASK and NPWH-LET constructions, derived from th...
Language is a means of human communication. Indeed, the skillful use of language in poetry, one of t...
It is common knowledge in oral literature that every oral form is naturally performed. The component...
Rhythm is one major component that distinguishes poetry from prose, even in written forms. Being inh...
Rhythm is one major component that distinguishes poetry from prose, even in written forms. Being inh...
Osundare the poet reads about sexual issues which inevitably employ those lexical items socially reg...
ABSTRACT Osundare the poet reads about sexual issues which inevitably employ those lexical items soc...
Poetry is generally marked by deviation. But the question that has bothered scholars is whether ther...
This study documents and analyzes oral poetry of traditional Igbo society in the aim of discovering ...
The emergence of Niyi Osundare along with a new poetic revolution is perhaps the high point of the c...
Every literary work emerges from the particular alternatives of its time. This is ostensibly reflect...
After the tragic and mysterious death by drowning of pioneer Yoruba writer, D.O. Fagunwa, in 1963, s...
Since the publication of Ruth Finnegan’s influential Oral Literature in Africa, way back in 1970, sc...
This paper critically examines the stylistic traditions and innovations inherent in the poetics of N...
Previous studies on nativisation of English in African literary productions have focused on literary...
Two rhetorical structural types, characterised as WH-ASK and NPWH-LET constructions, derived from th...
Language is a means of human communication. Indeed, the skillful use of language in poetry, one of t...
It is common knowledge in oral literature that every oral form is naturally performed. The component...
Rhythm is one major component that distinguishes poetry from prose, even in written forms. Being inh...
Rhythm is one major component that distinguishes poetry from prose, even in written forms. Being inh...
Osundare the poet reads about sexual issues which inevitably employ those lexical items socially reg...
ABSTRACT Osundare the poet reads about sexual issues which inevitably employ those lexical items soc...
Poetry is generally marked by deviation. But the question that has bothered scholars is whether ther...
This study documents and analyzes oral poetry of traditional Igbo society in the aim of discovering ...
The emergence of Niyi Osundare along with a new poetic revolution is perhaps the high point of the c...
Every literary work emerges from the particular alternatives of its time. This is ostensibly reflect...
After the tragic and mysterious death by drowning of pioneer Yoruba writer, D.O. Fagunwa, in 1963, s...
Since the publication of Ruth Finnegan’s influential Oral Literature in Africa, way back in 1970, sc...
This paper critically examines the stylistic traditions and innovations inherent in the poetics of N...
Previous studies on nativisation of English in African literary productions have focused on literary...